From the bittersweet to the rude and raunchy, Scotland’s Makar, Liz Lochhead, weaves a spellbinding and beguiling show, mixing poems, monologues and music. Accompanied by the soulful sax of Steve Kettley she presents an intoxicating mix of some of her best work over the past 45 years.
“brilliant, raucous and scabrously funny” Sunday Times
“‘an inspirational force in British Poetry… funny, feisty, full of feeling, a fantastic performer.” Carol Ann Duffy, Poet Laureate.
“funny, frank and frisky” Scotsman
These events are relaxed and informal. Join us for some friendly company and great music.
It’s a ‘pay what you want’ event, so you pay what you think it was worth at the end of the night. This event is also a benefit to support the work of the LED and Junipert Trust Charities who have collected a fantastic 7 tonnes of tents and sleeping bags for Nepal in Penrith Old Fire Station. All money raised will go towards the releif effort.
A night of poetry, music – and a quiz! Featuring poet Jacob Sam-La Rose, musicians Northern Sky, and (as always) a chance to win the famed Map of Shap.
Jacob Sam-La Rose’s poetry has been characterised as vivid, masterly and carefully structured. He’s widely recognised as an indefatigable facilitator, mentor and supporter of young and emerging poets, and as an advocate for the positive impact of new technology on literary and artistic practice and collaboration. He lives in London.
Northern Sky are Abby Colombi (vocals) and John Osborne (guitar & vocals). Once upon a time, they formed a little covers band in order to play a gig to raise money for charity. As it turns out, they were rather good and have continued ever since!
They play a mixture of our own work (listen & watch here, if you fancy) plus unlikely choices of great songs by Kate Bush, Everything But The Girl, Gnarls Barkley, New Order, PJ Harvey… the list goes on!
The quiz will be cheesy – in the best possible sense.
The events are relaxed and informal and tickets are ‘sold’ on a pay what you wish (on the night) basis.
We’ve partnered up with Theatre by the Lake to offer an opportunity for Cumbrian poets to have their work performed at the theatre in October.
To tie in with the Theatre by the Lake’s upcoming production of The Lady of the Lake, a new play by Benjamin Askew, we’re inviting you to create poetry about specific Cumbrian places (see below), which feature in the play.
Selected poems will be performed by actors from Theatre by the Lake’s summer season, at a special event at the theatre on Saturday 10th October.
We will also publish our favourites in The Carrot: New Writing Cumbria’s digital magazine.
We are looking for poems by Cumbrian writers of any experience. Poems should be no longer than 40 lines, and you can submit as many poems as you like, for as many of the locations. There is no restriction on style of poetry, but please be aware that we will favour work that takes an original view of the Cumbrian landscape.
The locations are:
Blencathra (from Castlerigg)
Blencathra (from Walla Crag)
Castlerigg Stone Circle
Fairy Glen, Borrowdale
Jaws of Borrowdale
Please email your poems to: email@example.com by Saturday 6th June 2015. Please include a short writer’s bio (approx. 50 words).
Kill the mood. Kill the moment. Kill your darlings. The theme of Issue #2 of The Carrot is: killing.
Whether that’s an exploration of the Death of the Author, or a good old-fashioned who-dunnit, we want your words, and other things, for The Carrot: New Writing Cumbria’s digital magazine of new writing.
Who can submit? Anyone from or living in Cumbria.
What can I submit? We’re looking for writing, as well as for other types of artwork: poetry, prose, crosswords, reviews, scripts, memoir, journalism, photos, pictures, video, music, animation… The list goes on. The only rule? It has to fit in some way with the theme.
When’s the deadline? Thursday 30th April 2015.
How do I submit my work? Email your work to firstname.lastname@example.org, with the subject line ‘The Carrot issue 2′. Make sure you include a short writer’s bio (approx. 50 words).
How long should my work be? This is entirely up to you, but bear in mind that this is a magazine featuring a number of pieces of work, so we’re unlikely to include your whole novel.
Anything else I should know? We favour work that’s accompanied by an image, whether this is an illustration, artwork that sheds some light on your piece, or just a (quality) photo of you. This isn’t a prerequisite, and we won’t disregard any piece because it doesn’t have an image – it just makes the magazine look more visually exciting.
Where can I find out more about The Carrot? Right here. Learn about the project and get a feel for the magazine by perusing Issue #1: Cumbria-Land.
We are delighted (dancing around the office delighted!) that Joan Shelley will be joining us once again from the USA. We met the utterly amazing Joan a couple of years ago when she played a gig for Eden Arts with Daniel Martin Moore – who in turn we had met as he was half of the Ben Solee/Daniel Martin Moore duo who supported Billy Bragg at the Penrith Leisure Centre. Any of these artists are welcome back any day of the year! Here’s Joan and Daniel – now you know why we love them!
Joan Shelley‘s music is startling. It startles because of its closeness, the near-instant sense of familiarity we feel when we hear it. Her songs fill up the air around us, echoing like a voice lost in the later American and British folk revivals – some Anne Briggs here, a little Hedy West there. But none of them are “trad arr. Shelley.” Joan wrote them all. Listen to her sing and it’s evident. You’ve never heard that voice before, either.
Electric Ursa was recorded in Louisville, Kentucky and marks Joan’s first release for No Quarter. It includes collaborations with new labelmate Nathan Salsburg, as well as several other of Louisville’s fine musicians. In the eight songs that make up this record, we are seeing an artist in her stride, able to move seamlessly between darkness & light, attempting to reconcile the wild expanse of the future with the burdens of memory. And at the center of it all are songs of a nature beautiful, precise, and clear, delivered to us by her singular voice.
Over the past five years, Shelley has recorded several albums, toured with her band, on her own, and as a duo with Daniel Martin Moore, playing concerts for spellbound audiences all over the globe.
She has a similar woebegone beauty to Sharon Van Etten and Torres, and First of August showcases her voice quite sublimely- The Guardian
Shelley’s beautiful voice sounds like it belongs to a lost talent from the folk revival of the early 60s….she shapes her melodies with precision and clarity. Chicago Reader
Simon is a Kendal based writer, teacher and occasional filmmaker.
After years working as a camera assistant and then a magazine journalist, he started writing fiction in 2006. His short stories have been published in journals, anthologies and magazines including Dark Mountain, Gutter, Valve, PANK, Fractured West, Fire Crane, Southpaw and Smoke: a London Peculiar. He won the Flashtag short short story slam in 2014, and he has written more than a thousand very short stories on Twitter. His debut novel The Visitors is published by Quercus Books. It was joint winner of the2014 Book Box prize, winner of the 2014 Guardian Not The Booker prize, and there’s a round-up of reviews right here. He is now working on his second novel, which is called The Hollows.
He lives in Cumbria with the painter Monica Metsers and daughter Isadora.